在一家精神病专科医院，某晚女护士在走廊中巡查时，意外发现三名被囚禁的女性，分别为正在住院的森山真由美（长谷川ミク 饰）、医院员工相田优子（かすみりさ 饰）以及院长的女儿兼护士桐山春香（浅居円 饰）。她们的旁边还有一名已经咽气的女人，正是院长桐山亮三的妻子加奈子（范田纱纱 饰），作为重要嫌疑人的院长却仿佛人间蒸发一般不见了踪影。此案引起较大轰动，老刑警林田奉命调查，他首先向真由美、优子、春香这三名受害女性问询调查取证，从中得知了许多不为人知的秘密。与此同时，三人的证词又相互矛盾，其背后仿佛又藏着更多的秘密。 　　随着调查的进行，真相渐渐显露出来……

在一家精神病专科医院，某晚女护士在走廊中巡查时，意外发现三名被囚禁的女性，分别为正在住院的森山真由美（长谷川ミク 饰）、医院员工相田优子（かすみりさ 饰）以及院长的女儿兼护士桐山春香（浅居円 饰）。她们的旁边还有一名已经咽气的女人，正是院长桐山亮三的妻子加奈子（范田纱纱 饰），作为重要嫌疑人的院长却仿佛人间蒸发一般不见了踪影。此案引起较大轰动，老刑警林田奉命调查，他首先向真由美、优子、春香这三名受害女性问询调查取证，从中得知了许多不为人知的秘密。与此同时，三人的证词又相互矛盾，其背后仿佛又藏着更多的秘密。 　　随着调查的进行，真相渐渐显露出来……

《不是所有爸爸都站着尿尿》（Tous les papas ne font pas pipi debout ）是一部温馨可爱的小品影片。内容描述两个女同志恋人Zoe和 Dan，以及Zon的小孩Simon所共组的家庭故事。 　　原本相处愉快的一家人，因为新邻居的来临而发生一连串的冲突与争吵。Simon因为邻居孩子嘲笑他的爸爸是个女人而与Dan发生争吵，进而牵动一家子的哭笑吵闹。中间穿插Simon与邻居女孩两小无猜的情窦初开，Zoe与母亲，Dan与父亲之间的包容与支持。同志伴侣在周围偏见的恶意下，仍能感受某些善意的温暖与温柔的理解。而其站出来捍卫爱情与家人的的勇气，也令人会心一笑。 　　因为Simon质疑为何他的『爸爸』不是个有屌的男人，而是母亲的女性恋人；于是身为母亲的Zoe便夹处于孩子的疑问与恋人的焦虑之间，一度甚至怀疑自己是否在爱情上做了错误的抉择。而身为孩子的Simon，在无力面对同侪的取笑情况下，进而希盼自己能有一个和别人一样能够『站着小便』的男人父亲。当Zoe告诉他，他其实是自己因为渴望孩子而刻意与男人一夜情的结果，他失控的大叫了….

Studies have shown that the age at which we find other people attractive does not change, instead it expands. When we are young we find children of our own age attractive, but as we grow older children under the age of 18 do not become less attractive. But pedophiles also find children under the age of 18 attractive. So what is the difference between us and pedophiles? Written by Jan-Willem Breure

A collection of film clips from horror movies and interviews with the actors and directors who made them.

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

All Tomorrow’s Parties is a DIY concert film featuring performances from an eclectic mix of some of the most influential artists including: Battles, Sonic Youth, Belle And Sebastian, Grinderman, Iggy and the Stooges, Portishead, Mogwai, Slint, Grizzly Bear, the Yeah Yeah Yeahs, The Gossip, Daniel Johnston and The Boredoms. 　　The film is a semi-found bricolage made from Super8, camcorder and mobile phone footage contributed by over two hundred filmmakers, fans and musicians over the festival’s recent history, with key contributions from Jonathan Caouette (Tarnation) and Vincent Moon (The Take Away Shows, Arcade Fire). 　　All Tomorrow’s Parties is a fiercely independent festival that many music lovers regard as one of the most important music events in the world. In an intimate and communal atmosphere, free of corporate sponsorship, it serves up a heady combination of alternative music, crazy golf and chalet-living, with musicians and fans living side by side. At each festival a band or artist is chosen to gather up their favourite artists who perform over a weekend in an out-of-season holiday camp by the sea. Sonic Youth’s Thurston Moore described the festival as the ‘ultimate mix tape’.

In an abandoned bungalow complex two man have made themselves a peaceful haven. Although the relationship between them is unclear, the unexpected arrival of the third man is going to disrupt their little utopia.